# Consume Arte · Poesía

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## Moderno y Contemporáneo (aprox. 1901-hoy)

- [ ] **Modernismo**
- [ ] **Poesía de Guerra y Posguerra**
- [ ] **El Movimiento**
- [ ] **Poesía Confesional**
- [ ] **Poesía Contemporánea Global y Postmoderna**
- [ ] The Waste Land – T.S. Eliot (1922)
- [ ] The Love Song of J. Alfred Prufrock – T.S. Eliot (1915)
- [ ] In a Station of the Metro – Ezra Pound (1913)
- [ ] Sunday Morning – Wallace Stevens (1915)
- [ ] Hugh Selwyn Mauberley – Ezra Pound (1920)
- [ ] The Hollow Men – T.S. Eliot (1925)
- [ ] Thirteen Ways of Looking at a Blackbird – Wallace Stevens (1917)
- [ ] Portrait of a Lady – T.S. Eliot (1917)
- [ ] A Pact – Ezra Pound (1913)
- [ ] The Emperor of Ice-Cream – Wallace Stevens (1922)
- [ ] Gerontion – T.S. Eliot (1920)
- [ ] Canto I (from The Cantos) – Ezra Pound (1917)
- [ ] Preludes – T.S. Eliot (1917)
- [ ] The Snow Man – Wallace Stevens (1921)
- [ ] Marina – T.S. Eliot (1930)
- [ ] Make It New (extracto) – Ezra Pound (1934)
- [ ] The Idea of Order at Key West – Wallace Stevens (1934)
- [ ] Ash-Wednesday – T.S. Eliot (1930)
- [ ] A Virginal – Ezra Pound (1912)
- [ ] The Hippopotamus – T.S. Eliot (1917)
- [ ] Dulce et Decorum Est – Wilfred Owen (1917)
- [ ] Anthem for Doomed Youth – Wilfred Owen (1917)
- [ ] Strange Meeting – Wilfred Owen (1918)
- [ ] They – Siegfried Sassoon (1917)
- [ ] Base Details – Siegfried Sassoon (1918)
- [ ] Everyone Sang – Siegfried Sassoon (1919)
- [ ] September 1, 1939 – W.H. Auden (1939)
- [ ] Musée des Beaux Arts – W.H. Auden (1938)
- [ ] The Shield of Achilles – W.H. Auden (1952)
- [ ] Exposure – Wilfred Owen (1917)
- [ ] Suicide in the Trenches – Siegfried Sassoon (1918)
- [ ] The General – Siegfried Sassoon (1917)
- [ ] In Memory of W.B. Yeats – W.H. Auden (1939)
- [ ] Disabled – Wilfred Owen (1917)
- [ ] Does It Matter? – Siegfried Sassoon (1917)
- [ ] Funeral Blues – W.H. Auden (1936)
- [ ] Insensibility – Wilfred Owen (1918)
- [ ] The Rear-Guard – Siegfried Sassoon (1917)
- [ ] The Unknown Citizen – W.H. Auden (1939)
- [ ] Mental Cases – Wilfred Owen (1918)
- [ ] This Be the Verse – Philip Larkin (1974)
- [ ] The Whitsun Weddings – Philip Larkin (1964)
- [ ] Church Going – Philip Larkin (1955)
- [ ] An Arundel Tomb – Philip Larkin (1964)
- [ ] High Windows – Philip Larkin (1974)
- [ ] Aubade – Philip Larkin (1977)
- [ ] MCMXIV – Philip Larkin (1964)
- [ ] Toads – Philip Larkin (1955)
- [ ] The Less Deceived – Philip Larkin (1955)
- [ ] Sunny Prestatyn – Philip Larkin (1964)
- [ ] A Study of Reading Habits – Philip Larkin (1964)
- [ ] Next, Please – Philip Larkin (1955)
- [ ] The Trees – Philip Larkin (1974)
- [ ] Annus Mirabilis – Philip Larkin (1974)
- [ ] Dockery and Son – Philip Larkin (1964)
- [ ] Afternoons – Philip Larkin (1964)
- [ ] Days – Philip Larkin (1955)
- [ ] Mr Bleaney – Philip Larkin (1964)
- [ ] The Explosion – Philip Larkin (1974)
- [ ] At Grass – Philip Larkin (1950)
- [ ] Daddy – Sylvia Plath (1965)
- [ ] Lady Lazarus – Sylvia Plath (1965)
- [ ] Morning Song – Sylvia Plath (1965)
- [ ] Ariel – Sylvia Plath (1965)
- [ ] The Colossus – Sylvia Plath (1960)
- [ ] Skunk Hour – Robert Lowell (1959)
- [ ] For the Union Dead – Robert Lowell (1964)
- [ ] Man and Wife – Robert Lowell (1959)
- [ ] The Armadillo – Elizabeth Bishop (1965, influencia)
- [ ] You, Doctor Martin – Anne Sexton (1960)
- [ ] Her Kind – Anne Sexton (1960)
- [ ] The Abortion – Anne Sexton (1962)
- [ ] Tulips – Sylvia Plath (1965)
- [ ] Life Studies (extracto: Waking in the Blue) – Robert Lowell (1959)
- [ ] The Double Image – Anne Sexton (1960)
- [ ] The Truth the Dead Know – Anne Sexton (1962)
- [ ] Night Sweat – Robert Lowell (1964)
- [ ] Edge – Sylvia Plath (1965)
- [ ] The Operation – Anne Sexton (1962)
- [ ] Home After Three Months Away – Robert Lowell (1959)
- [ ] Digging – Seamus Heaney (1966)
- [ ] Blackberrying – Sylvia Plath (1962, pero influencia)
- [ ] The Underground – Seamus Heaney (1979)
- [ ] Valentine – Carol Ann Duffy (1993)
- [ ] Prayer – Carol Ann Duffy (1993)
- [ ] The Dolphins – Carol Ann Duffy (1990)
- [ ] Aubade – Philip Larkin (influencia tardía)
- [ ] Station Island (extracto) – Seamus Heaney (1984)
- [ ] Head of English – Carol Ann Duffy (1985)
- [ ] The Grauballe Man – Seamus Heaney (1975)
- [ ] Warming Her Pearls – Carol Ann Duffy (1987)
- [ ] Punishment – Seamus Heaney (1975)
- [ ] The Lammas Hireling – Ian Duhig (2000)
- [ ] Night Windows – Glyn Maxwell (2002)
- [ ] Still I Rise – Maya Angelou (1978, global)
- [ ] The Captain of the 1964 Top of the Form Team – Carol Ann Duffy (1990)
- [ ] Requiem for the Croppies – Seamus Heaney (1969)
- [ ] Havisham – Carol Ann Duffy (1993)
- [ ] The Railway Children – Seamus Heaney (1984)
- [ ] Night Poem – Ocean Vuong (2016)

## Época Victoriana(aprox. 1837-1901),

- [ ] **Poesía Laureada y Narrativa Épica**
- [ ] **Monólogo Dramático**
- [ ] **Poesía Pre-Rafaelita**
- [ ] **Poesía Esteticista y Decadente**
- [ ] **Poesía Experimental y de Transición**
- [ ] The Charge of the Light Brigade – Alfred Lord Tennyson (1854)
- [ ] Ulysses – Alfred Lord Tennyson (1842)
- [ ] In Memoriam A.H.H. (secciones 1, 27, 54) – Alfred Lord Tennyson (1850)
- [ ] The Lady of Shalott – Alfred Lord Tennyson (1832/1842)
- [ ] Idylls of the King (extracto: Morte d’Arthur) – Alfred Lord Tennyson (1859-1885)
- [ ] Break, Break, Break – Alfred Lord Tennyson (1842)
- [ ] Crossing the Bar – Alfred Lord Tennyson (1889)
- [ ] The Brook – Alfred Lord Tennyson (1855)
- [ ] Locksley Hall – Alfred Lord Tennyson (1842)
- [ ] Maud (extracto: “Come into the garden, Maud”) – Alfred Lord Tennyson (1855)
- [ ] The Eagle – Alfred Lord Tennyson (1851)
- [ ] Tithonus – Alfred Lord Tennyson (1860)
- [ ] Rizpah – Alfred Lord Tennyson (1880)
- [ ] The Revenge – Alfred Lord Tennyson (1880)
- [ ] Ode on the Death of the Duke of Wellington – Alfred Lord Tennyson (1852)
- [ ] Mariana – Alfred Lord Tennyson (1830)
- [ ] The Lotos-Eaters – Alfred Lord Tennyson (1832)
- [ ] In Memoriam (sección 130) – Alfred Lord Tennyson
- [ ] The Splendour Falls – Alfred Lord Tennyson (1842)
- [ ] Idylls of the King (extracto: Guinevere) – Alfred Lord Tennyson
- [ ] My Last Duchess – Robert Browning (1842)
- [ ] Porphyria’s Lover – Robert Browning (1836)
- [ ] The Bishop Orders His Tomb at Saint Praxed’s Church – Robert Browning (1845)
- [ ] Andrea del Sarto – Robert Browning (1855)
- [ ] Fra Lippo Lippi – Robert Browning (1855)
- [ ] Childe Roland to the Dark Tower Came – Robert Browning (1855)
- [ ] How They Brought the Good News from Ghent to Aix – Robert Browning (1845)
- [ ] The Laboratory – Robert Browning (1844)
- [ ] Soliloquy of the Spanish Cloister – Robert Browning (1842)
- [ ] Mr. Sludge, “The Medium” – Robert Browning (1864)
- [ ] Caliban upon Setebos – Robert Browning (1864)
- [ ] A Toccata of Galuppi’s – Robert Browning (1855)
- [ ] Rabbi Ben Ezra – Robert Browning (1864)
- [ ] Abt Vogler – Robert Browning (1864)
- [ ] Karshish – Robert Browning (1855)
- [ ] Cleon – Robert Browning (1855)
- [ ] The Patriot – Robert Browning (1845)
- [ ] Johannes Agricola in Meditation – Robert Browning (1836)
- [ ] Pauline – Robert Browning (1833)
- [ ] Pippa Passes (extracto: “The year’s at the spring”) – Robert Browning (1841)
- [ ] The Blessed Damozel – Dante Gabriel Rossetti (1850)
- [ ] Goblin Market – Christina Rossetti (1862)
- [ ] Remember – Christina Rossetti (1862)
- [ ] The Woodspurge – Dante Gabriel Rossetti (1856)
- [ ] Up-Hill – Christina Rossetti (1862)
- [ ] The Haystack in the Floods – William Morris (1858)
- [ ] Jenny – Dante Gabriel Rossetti (1870)
- [ ] Song (“When I am dead, my dearest”) – Christina Rossetti (1862)
- [ ] A Birthday – Christina Rossetti (1862)
- [ ] The Burden of Nineveh – Dante Gabriel Rossetti (1856)
- [ ] The Defence of Guenevere – William Morris (1858)
- [ ] In an Artist’s Studio – Christina Rossetti (1856)
- [ ] The Blessed Damozel (versión final) – Dante Gabriel Rossetti
- [ ] The Convent Threshold – Christina Rossetti (1862)
- [ ] King Arthur’s Tomb – Dante Gabriel Rossetti (1858)
- [ ] From House to Home – Christina Rossetti (1862)
- [ ] The Blue Closet – William Morris (1858)
- [ ] Echo – Christina Rossetti (1862)
- [ ] The Staff and Scrip – Dante Gabriel Rossetti (1856)
- [ ] Maude Clare – Christina Rossetti (1862)
- [ ] Hymn to Proserpine – Algernon Charles Swinburne (1866)
- [ ] The Garden of Proserpine – Algernon Charles Swinburne (1866)
- [ ] Faustine – Algernon Charles Swinburne (1862)
- [ ] Dolores – Algernon Charles Swinburne (1866)
- [ ] The Leper – Algernon Charles Swinburne (1866)
- [ ] Requiescat – Oscar Wilde (1881)
- [ ] The Ballad of Reading Gaol (extracto) – Oscar Wilde (1898)
- [ ] A Vision – Oscar Wilde (1881)
- [ ] Ave Atque Vale – Algernon Charles Swinburne (1868)
- [ ] Itylus – Algernon Charles Swinburne (1866)
- [ ] The Triumph of Time – Algernon Charles Swinburne (1866)
- [ ] The Sphinx – Oscar Wilde (1894)
- [ ] Les Noyades – Algernon Charles Swinburne (1866)
- [ ] Hertha – Algernon Charles Swinburne (1871)
- [ ] Chorus from Atalanta in Calydon – Algernon Charles Swinburne (1865)
- [ ] The Harlot’s House – Oscar Wilde (1885)
- [ ] Before the Mirror – Algernon Charles Swinburne (1868)
- [ ] Impressions – Oscar Wilde (1881)
- [ ] Anactoria – Algernon Charles Swinburne (1866)
- [ ] The Burden of Itys – Oscar Wilde (1881)
- [ ] Pied Beauty – Gerard Manley Hopkins (1877)
- [ ] The Windhover – Gerard Manley Hopkins (1877)
- [ ] God’s Grandeur – Gerard Manley Hopkins (1877)
- [ ] Binsey Poplars – Gerard Manley Hopkins (1879)
- [ ] Spring and Fall – Gerard Manley Hopkins (1880)
- [ ] The Darkling Thrush – Thomas Hardy (1900)
- [ ] The Ruined Maid – Thomas Hardy (1866)
- [ ] Neutral Tones – Thomas Hardy (1867)
- [ ] Hap – Thomas Hardy (1866)
- [ ] The Convergence of the Twain – Thomas Hardy (1912, pero escrito en época victoriana tardía)
- [ ] Felix Randal – Gerard Manley Hopkins (1880)
- [ ] Carrion Comfort – Gerard Manley Hopkins (1885)
- [ ] In Time of “The Breaking of Nations” – Thomas Hardy (1915, transición)
- [ ] Wessex Poems (extracto: “The Oxen”) – Thomas Hardy (1898)
- [ ] No Worst, There Is None – Gerard Manley Hopkins (1885)
- [ ] During Wind and Rain – Thomas Hardy (1917)
- [ ] I Wake and Feel the Fell of Dark – Gerard Manley Hopkins (1885)
- [ ] The Man He Killed – Thomas Hardy (1902)
- [ ] That Nature is a Heraclitean Fire – Gerard Manley Hopkins (1888)
- [ ] The Going – Thomas Hardy (1912)

## Romanticismo. 1790-1837

- [ ] Lines Composed a Few Miles above Tintern Abbey – William Wordsworth (1798)
- [ ] I Wandered Lonely as a Cloud (Daffodils) – William Wordsworth (1807)
- [ ] The Rime of the Ancient Mariner – Samuel Taylor Coleridge (1798)
- [ ] Ode: Intimations of Immortality – William Wordsworth (1807)
- [ ] Kubla Khan – Samuel Taylor Coleridge (1816)
- [ ] The Prelude (Book I, extracto) – William Wordsworth (1799-1805)
- [ ] Frost at Midnight – Samuel Taylor Coleridge (1798)
- [ ] The Solitary Reaper – William Wordsworth (1807)
- [ ] Ode to Duty – William Wordsworth (1807)
- [ ] Composed upon Westminster Bridge – William Wordsworth (1802)
- [ ] Christabel – Samuel Taylor Coleridge (1816)
- [ ] The Tables Turned – William Wordsworth (1798)
- [ ] This Lime-Tree Bower My Prison – Samuel Taylor Coleridge (1797)
- [ ] My Heart Leaps Up – William Wordsworth (1802)
- [ ] The World Is Too Much with Us – William Wordsworth (1807)
- [ ] Lucy Gray – William Wordsworth (1799)
- [ ] Dejection: An Ode – Samuel Taylor Coleridge (1802)
- [ ] Lines Written in Early Spring – William Wordsworth (1798)
- [ ] The Nightingale – Samuel Taylor Coleridge (1798)
- [ ] Resolution and Independence – William Wordsworth (1802)
- [ ] The Tyger – William Blake (1794)
- [ ] London – William Blake (1794)
- [ ] The Chimney Sweeper (Songs of Innocence) – William Blake (1789)
- [ ] The Chimney Sweeper (Songs of Experience) – William Blake (1794)
- [ ] Auguries of Innocence – William Blake (1803)
- [ ] The Lamb – William Blake (1789)
- [ ] A Poison Tree – William Blake (1794)
- [ ] The Sick Rose – William Blake (1794)
- [ ] Holy Thursday (Songs of Innocence) – William Blake (1789)
- [ ] Jerusalem (“And did those feet in ancient time…”) – William Blake (1804-1820)
- [ ] The Clod and the Pebble – William Blake (1794)
- [ ] Songs of Innocence (Introduction) – William Blake (1789)
- [ ] The Little Boy Lost / The Little Boy Found – William Blake (1789)
- [ ] The Divine Image – William Blake (1789)
- [ ] The Garden of Love – William Blake (1794)
- [ ] The Human Abstract – William Blake (1794)
- [ ] Infant Joy – William Blake (1789)
- [ ] Infant Sorrow – William Blake (1794)
- [ ] To See a World in a Grain of Sand – William Blake (1803)
- [ ] The Marriage of Heaven and Hell (extractos) – William Blake (1790-1793)
- [ ] She Walks in Beauty – Lord Byron (1814)
- [ ] Childe Harold’s Pilgrimage (Canto III, extracto) – Lord Byron (1816)
- [ ] Don Juan (Canto I, extracto) – Lord Byron (1819)
- [ ] Prometheus – Lord Byron (1816)
- [ ] The Prisoner of Chillon – Lord Byron (1816)
- [ ] Darkness – Lord Byron (1816)
- [ ] So, we’ll go no more a-roving – Lord Byron (1817)
- [ ] When We Two Parted – Lord Byron (1816)
- [ ] The Destruction of Sennacherib – Lord Byron (1815)
- [ ] Ode to Napoleon Buonaparte – Lord Byron (1814)
- [ ] Manfred (extracto) – Lord Byron (1817)
- [ ] The Corsair (extracto) – Lord Byron (1814)
- [ ] The Dream – Lord Byron (1816)
- [ ] Stanzas for Music – Lord Byron (1816)
- [ ] Epistle to Augusta – Lord Byron (1816)
- [ ] The Isles of Greece (from Don Juan) – Lord Byron (1820)
- [ ] Mazeppa – Lord Byron (1819)
- [ ] Cain (extracto) – Lord Byron (1821)
- [ ] Beppo – Lord Byron (1818)
- [ ] Lara (extracto) – Lord Byron (1814)
- [ ] Ode to the West Wind – Percy Bysshe Shelley (1819)
- [ ] Ozymandias – Percy Bysshe Shelley (1818)
- [ ] To a Skylark – Percy Bysshe Shelley (1820)
- [ ] The Cloud – Percy Bysshe Shelley (1820)
- [ ] Hymn to Intellectual Beauty – Percy Bysshe Shelley (1816)
- [ ] Mont Blanc – Percy Bysshe Shelley (1817)
- [ ] England in 1819 – Percy Bysshe Shelley (1819)
- [ ] Adonais – Percy Bysshe Shelley (1821)
- [ ] The Masque of Anarchy – Percy Bysshe Shelley (1819)
- [ ] Prometheus Unbound (extractos) – Percy Bysshe Shelley (1820)
- [ ] Ode to Liberty – Percy Bysshe Shelley (1820)
- [ ] The Sensitive Plant – Percy Bysshe Shelley (1820)
- [ ] Lines Written among the Euganean Hills – Percy Bysshe Shelley (1818)
- [ ] Julian and Maddalo – Percy Bysshe Shelley (1818)
- [ ] Stanzas Written in Dejection, Near Naples – Percy Bysshe Shelley (1818)
- [ ] To Night – Percy Bysshe Shelley (1820)
- [ ] Love’s Philosophy – Percy Bysshe Shelley (1820)
- [ ] The Indian Serenade – Percy Bysshe Shelley (1819)
- [ ] One Word is Too Often Profaned – Percy Bysshe Shelley (1822)
- [ ] A Defence of Poetry (extractos) – Percy Bysshe Shelley (1821)
- [ ] Ode to a Nightingale – John Keats (1819)
- [ ] Ode on a Grecian Urn – John Keats (1819)
- [ ] To Autumn – John Keats (1820)
- [ ] La Belle Dame sans Merci – John Keats (1819)
- [ ] Bright Star – John Keats (1819)
- [ ] Ode on Melancholy – John Keats (1819)
- [ ] Ode to Psyche – John Keats (1819)
- [ ] The Eve of St. Agnes – John Keats (1819)
- [ ] When I Have Fears That I May Cease to Be – John Keats (1818)
- [ ] Hyperion (Book I, extracto) – John Keats (1818-1819)
- [ ] Endymion (“A thing of beauty is a joy forever”) – John Keats (1818)
- [ ] On First Looking into Chapman’s Homer – John Keats (1816)
- [ ] Isabella; or, The Pot of Basil – John Keats (1818)
- [ ] Lamia – John Keats (1819)
- [ ] Fancy – John Keats (1818)
- [ ] Ode on Indolence – John Keats (1819)
- [ ] This Living Hand – John Keats (1819)
- [ ] The Mermaid Tavern – John Keats (1818)
- [ ] To Psyche – John Keats (1819)
- [ ] The Eve of St. Mark – John Keats (1819)

## Época Augustana / Neoclasicismo (aprox. 1700-1790),

- [ ] An Essay on Criticism – Alexander Pope (1711)
- [ ] Windsor Forest – Alexander Pope (1713)
- [ ] Eloisa to Abelard – Alexander Pope (1717)
- [ ] The Temple of Fame – Alexander Pope (1715)
- [ ] An Essay on Man (Epistle I) – Alexander Pope (1733-1734)
- [ ] Absalom and Achitophel – John Dryden (1681)
- [ ] Mac Flecknoe – John Dryden (1682)
- [ ] The Dunciad (Book I) – Alexander Pope (1728)
- [ ] Epistle to Dr. Arbuthnot – Alexander Pope (1735)
- [ ] Windsor Forest (extracto final) – Alexander Pope
- [ ] The Rape of the Lock (Canto I) – Alexander Pope (1712)
- [ ] An Epistle to a Lady – Alexander Pope (1735)
- [ ] Moral Essays (Epistle II) – Alexander Pope (1735)
- [ ] The First Epistle of the Second Book of Horace – Alexander Pope (1737)
- [ ] An Essay on Man (Epistle II) – Alexander Pope
- [ ] The Second Epistle of the Second Book of Horace – Alexander Pope (1737)
- [ ] To Augustus – Alexander Pope (1737)
- [ ] The Fourth Satire of Dr. John Donne – Alexander Pope (1733)
- [ ] Imitations of Horace – Alexander Pope (1733-1738)
- [ ] The Universal Prayer – Alexander Pope (1738)
- [ ] The Rape of the Lock – Alexander Pope (1712)
- [ ] The Dunciad – Alexander Pope (1728-1743)
- [ ] A Modest Proposal (estilo satírico) – Jonathan Swift (1729)
- [ ] A Description of a City Shower – Jonathan Swift (1710)
- [ ] Verses on the Death of Dr. Swift – Jonathan Swift (1731)
- [ ] The Lady’s Dressing Room – Jonathan Swift (1732)
- [ ] On Poetry: A Rhapsody – Jonathan Swift (1733)
- [ ] The Beasts’ Confession – Jonathan Swift (1732)
- [ ] Epistle to Dr. Arbuthnot (extracto satírico) – Alexander Pope (1735)
- [ ] The Dunciad (Book IV) – Alexander Pope
- [ ] A Tale of a Tub (secciones poéticas) – Jonathan Swift (1704)
- [ ] The Progress of Beauty – Jonathan Swift (1719)
- [ ] The Legion Club – Jonathan Swift (1736)
- [ ] Moral Essays (Epistle III) – Alexander Pope (1733)
- [ ] The Fourth Satire of Dr. John Donne Versified – Alexander Pope
- [ ] On a Beautiful Young Nymph Going to Bed – Jonathan Swift (1731)
- [ ] The Vanity of Human Wishes (extracto satírico) – Samuel Johnson (1749)
- [ ] The Dunciad Variorum – Alexander Pope (1729)
- [ ] Strephon and Chloe – Jonathan Swift (1731)
- [ ] The Progress of Marriage – Jonathan Swift (1722)
- [ ] An Essay on Man (Epistle I-IV) – Alexander Pope (1733-1734)
- [ ] The Vanity of Human Wishes – Samuel Johnson (1749)
- [ ] London – Samuel Johnson (1738)
- [ ] An Essay on Criticism (extractos didácticos) – Alexander Pope (1711)
- [ ] Moral Essays (Epistle IV) – Alexander Pope (1733)
- [ ] The Seasons (extractos didácticos) – James Thomson (1730)
- [ ] The Task (Book I) – William Cowper (1785)
- [ ] The Traveller – Oliver Goldsmith (1764)
- [ ] The Deserted Village (extractos morales) – Oliver Goldsmith (1770)
- [ ] The Progress of Poesy – Thomas Gray (1757)
- [ ] The Vanity of Human Wishes (líneas finales) – Samuel Johnson
- [ ] London (extracto) – Samuel Johnson
- [ ] The Fleece – John Dyer (1757)
- [ ] The Sugar-Cane – James Grainger (1764)
- [ ] The Task (Book III) – William Cowper
- [ ] An Essay on the Different Styles of Poetry – Samuel Johnson
- [ ] The Traveller (extracto final) – Oliver Goldsmith
- [ ] Moral Essays (Epistle I) – Alexander Pope
- [ ] The Castle of Indolence – James Thomson (1748)
- [ ] Elegy Written in a Country Churchyard – Thomas Gray (1751)
- [ ] The Complaint: or, Night-Thoughts – Edward Young (1742-1745)
- [ ] The Grave – Robert Blair (1743)
- [ ] Ode on the Death of a Favourite Cat – Thomas Gray (1748)
- [ ] Night-Thoughts (Night I) – Edward Young
- [ ] The Bard – Thomas Gray (1757)
- [ ] The Grave (extracto) – Robert Blair
- [ ] Ode on a Distant Prospect of Eton College – Thomas Gray (1747)
- [ ] Night-Thoughts (Night IX) – Edward Young
- [ ] Elegy (extractos) – Thomas Gray
- [ ] The Complaint (Night VI) – Edward Young
- [ ] A Night-Piece on Death – Thomas Parnell (1721)
- [ ] The Grave (líneas finales) – Robert Blair
- [ ] Ode to Adversity – Thomas Gray (1748)
- [ ] Night-Thoughts (Night III) – Edward Young
- [ ] The Bard (extracto) – Thomas Gray
- [ ] The Ruins of Rome – John Dyer (1740)
- [ ] The Complaint (Night IV) – Edward Young
- [ ] Elegy (stanza final) – Thomas Gray
- [ ] Night-Thoughts (Night VIII) – Edward Young
- [ ] The Seasons (Spring) – James Thomson (1730)
- [ ] The Deserted Village – Oliver Goldsmith (1770)
- [ ] The Task (Book I: The Sofa) – William Cowper (1785)
- [ ] The Task (Book IV: The Winter Evening) – William Cowper
- [ ] Autumn – James Thomson (1730)
- [ ] The Deserted Village (extracto inicial) – Oliver Goldsmith
- [ ] Winter – James Thomson (1726)
- [ ] The Task (Book VI: The Winter Walk at Noon) – William Cowper
- [ ] Summer – James Thomson (1727)
- [ ] The Traveller (extracto) – Oliver Goldsmith
- [ ] The Seasons (Winter) – James Thomson
- [ ] The Task (Book II: The Time-Piece) – William Cowper
- [ ] Liberty – James Thomson (1735-1736)
- [ ] The Deserted Village (líneas finales) – Oliver Goldsmith
- [ ] The Task (Book III: The Garden) – William Cowper
- [ ] The Seasons (Summer extracto) – James Thomson